Reflective Surface

FRANCE. Paris. 2014.

As always, consistency problems have caught up with me. The past two months (without a single post!) have been a cauldron of cheek and trouble somewhat typical of whatever travel-heavy period follows an existential lapse. Hence the graffiti wall that is my state of mind — with the new constantly replacing the old, yet with the old still buried underneath — a cluster of conflicted personalities, and sideway glances.

This post is a very honest one, and the shot, a personal one. It helps also that I’ve managed to fix the blog layout! I’ll keep up this time.

Humans of Paris II

FRANCE. Paris. 2014.

Three different shots at three different locations around Paris: the first near Odéon, the second on Canal Saint-Martin, and the third on Rue Bobillot on the way back to the dorm from school Centre. My chronic problem is that I tend to shy away from face-on shooting. As one might expect, there are people that mind less and there are those that mind more. My approach is to refrain from objectifying people (as in, making people feel like they’re “things” being photographed; more on subject vs. object in this post). Often my solution is to halt for a moment to snap a shot, then to carry on briskly. The point is to be unobtrusive.

The problem with this is that I can’t always look through the viewfinder. This works if you are intuitively aware of how your lens will frame the scene just by “feeling” it. Unfortunately my mastery of the camera is not yet at that level, so I get some, miss some. This method, however, does make for excellent candid photography, mainly because then the subjects are not startled by some creepy photographer trying to snag a shot of them. The last one in particular was taken in this manner. It’s a lot less sharp than the first two shots since I was still in movement when the shutter was pressed, but I’d say there’s more of a spur-of-the-moment feeling to the image.